Lecture by Perry Hurt of the NC Art Museum

to Forensic Geology Class at NCSU

Link to history of pigments: { page 1 } { page 2 } { page 3 } { page 4 } { page 5 } { page 6 }. Link to { text }.

References:

Delamare, F. and Guineau, B., 2000, Colors: the story of dyes and pigments: Harry N. Abrams, Publ., NY, 159 p.

Fleming, S.J., 1975, Authenticity in Art: the scientific detection of forgery: The Institute of Physics, NY, 164 p. (ND 1510.A77 1986 at NC Museum of Art)

Kremer Pigments Inc., 2002, Raw materials for fine arts, conservation, woodfinishing, design: Kremer Pigments Inc., NY (kremerinc@aol.com and www.kremer-pigmente.com), 74 p.

Roy, Ashok (ed.), 1993, Artists' Pigments, a handbook of their history and characteristics, v.2: Oxford Univ. Press, NY, 231 p.

Sachs, S. II, 1973, Fakes and forgeries: The Minneapolis Institute of Arts, Minnesota, MN, not paginated (N 8790 M56 1973 at NC Museum of Art)

Taft, W.S. and Mayer, J.W., 2000, The science of paintings: Springer, Berlin, 236 p. (ND 1143.T34 2000 at NC Museum of Art)

The End